Adventures in Query Writing

Throughout August, I've been hunting down literary agents on the web, identifying agents who seem to be interested in conventional fantasy fiction, and sending them query letters in the hopes of finding representation. For those who haven't participated in this exercise, it's a ... unique experience.

Most agents want some combination of the following:

• A query letter
• A synopsis of your book
• Some portion of your manuscript, from a few pages to a few chapters

Every agent is different. I've been told that literary agents receive a huge volume of queries; their job is to sift through a mountain of broken glass and find a diamond in it. I do not envy them this task. So when I find that this agent wants five sample pages while this other agent wants ten, or this other agent wants my material inline within the email while this other other agent wants it attached as a Word DOC, I'm glad to comply. Whatever works best for their workflow is fine with me, and I'm happy to accommodate.

But every so often, I run across an agent who has very particular requirements. Some agents have online forms that you must submit through, instead of sending e-mail. A few agents want to see all material, including the query letter, in the form of Word documents. It takes a little more work on my end to get my stuff prepared to meet some of these unique requirements, but if I want to get published, I have to be willing to do the work.

And then there are the agents who just seem to be constructing an arbitrary and elaborate series of obstacles for reasons known only to them. I feel at times like I'm being made to pass some sort of examination to see how thoroughly I can follow instructions. This, combined with the steady stream of rejection letters I've been getting back, makes this an exceptionally humbling experience.

So, for anyone out there who's planning to try to find an agent for a book, I would offer the following advice: when you find an agent's web site, read it carefully, and try to find the following:

• Try to find the agency's web site, so that you can find their up-to-date information. There are several web sites that have listings of agents, but the information on those sites might be obsolete. The agent you're looking at might be out of the business, or might not be looking for your genre of fiction any more. Don't just send a query blind to someone's email unless you can determine their status first.
• While you're on their web site, check for any danger signs that might indicate that this isn't a legitimate agent. Anyone who wants to charge you money just to read your manuscript is not the kind of agent you want to associate with. A legitimate agent earns his or her money from the publisher by selling your book. (Here is a good place to start if you want to learn more about organizations and entities that you should avoid.)
• Try to identify whether or not they're interested in your type of work. Most agency web sites will list somewhere what they're looking for. If the web site has agent bio pages, this is usually a good place to start.
• Find their submissions guidelines, and read them closely. You probably have a pre-prepared query letter and synopsis, but you might need to tweak what you have to meet a specific agent's needs. Don't get yourself disqualified just because you forgot to send something that the agent asked for.
• Don't take rejection personally. Don't get upset at the agent who sends you a polite "thanks, but not thanks." Be professional. Query someone else.

In short: if you're going to try to find an agent, be prepared to put in a lot of work.

Review: The Wolverine (Spoiler Warning)

Short answer: The Wolverine is an adequate superhero movie, but you've almost certainly seen this story before, even if you haven't read the exact comics this movie is based on.

Spoilers ahead, by the way.

I've never been that much of a Wolverine fan. When I was collecting comic books, I had a different first choice for my stories about a tough, cyncial, flawed hero. I was disappointed when the first three X-Men movies basically turned out to be "Wolverine and His Less Competent Friends". So it may not be much of a surprise that I thought this particular outing for the super-healing Aussie was lukewarm at best.

But the basic story of The Wolverine is completely paint-by-the-numbers. You start with your hard-edged hero, who's suffering from a painful past and hiding his bad-assitude under a basket. Then he's offered a chance to do something meaningful and noble. He tries to walk away, but eventually finds that he can't; he's become smitten with the story's damsel in distress, who is sufficiently helpless that the hero must come to her rescue. He succeeds, and by doing so, he rediscovers himself and his purpose.

The movie just keeps hitting the same old cliches, right down to the love-em-and-leave-em, "I don't fit into your world, babe" ending. I know that some of this story actually predates the movie, although there's not much in common between the original comics and the movie aside from a few characters and the general theme. With so much divergence from the source material, the scriptwriters certainly could have invented a less cliche Wolverine/Mariko storyline.

There are a few good moments in the movie, and Yukio is a fun character I wouldn't mind seeing more of. And, of course, there's the mid-credits teaser for the next movie, which by itself will probably justify the price of admission for hardcore fans. If you're keen to see Hugh Jackman beat up ninja or take his shirt off a lot, you're well-served by The Wolverine, but otherwise, there's nothing special or noteworthy here.

Review: OUYA

Now that we've had our OUYA for a while, I have to say that the OUYA is a cool and inexpensive toy, but it's somewhat superfluous right now, and will continue to be until it gets some more compelling content.

I've seen a lot of chatter on the internet from folks who have incorrect assumptions about what the OUYA is supposed to be. Some people are assuming it's a Playstation/Xbox/Nintendo competitor, and are dismayed at the low-end graphics and the lack of AAA titles. Some people are assuming it's just a way to run cell phone games on your TV, and don't know why they should bother, since they already have a cell phone.

The OUYA is not supposed to be a top-tier console; the tiny size ought to be a dead giveaway. And it's not just for cell phone games; games like Bombsquad and Towerfall work best with four friends sitting around the same screen.

The OUYA is supposed to be a console platform with a low barrier of entry for independent developers. If I personally took a week off and locked myself in the house with a copy of Unity, I could have a game up on the OUYA store by the end of the week. (Disclaimer: I don't actually know how long the OUYA game review/approval process takes, but I've heard that it sometimes takes mere hours.) This is great for small developers; it lets you get your game in front of the public at minimal expense.

The problem is that the console doesn't offer a lot to the actual gamer, which is the person who's supposed to be buying the thing.

Are you interested in cheap console games? The existing consoles already offer a variety of cheap games for download. I could go right now and download a variety of PS1 classics that are priced less than some of the less-polished efforts available on the OUYA.

Do you like indie games? Again, the digital download stores for the big consoles have you covered there as well, though you won't find a lot of quirky, lone-developer, "I did this because I thought it was cool" titles on the big consoles. For those more obscure indie titles, the best place to go is still your Windows PC. (And you can plug your PC into your big screen TV and break out a wireless controller if you still want that console experience.)

Since the more successful OUYA titles are already available on more mainstream platforms (or soon will be) there's not really a compelling reason to rush out and pick up an OUYA at this point. This may change in the future; more games are coming out on the OUYA all the time, and it's possible that we'll start to see some high-quality, OUYA-exclusive games. But for right now, unless you're really interesting in supporting the platform, youre better off getting your fix for cheap games and/or indie games elsewhere.

Review: Shadowrun Returns

I've spent some more time with Shadowrun Returns since my last post, and I'm still enjoying it. The story and dialogue are well-written; the puzzles are pleasantly challenging without being frustrating; the combat engine is simple and fun. It's not a terribly deep or complex game, though the different character classes provide a lot of variety. I'm playing a mage, but I'm looking forward to replaying it so that I can try the adept, the decker, the shaman, the rigger, and the street samurai.

I've heard that the campaign isn't very long -- only about a dozen hours -- but honestly, that's fine for me, given that I don't have time to sink hundreds of hours into a game. With a story this short, I can actually look forward to finishing a few replays during my lifetime. Also, player-created missions and campaigns should provide a lot more material.

The campaign editor isn't as user friendly as Neverwinter's, but the online documentation helps flatten the learning curve a little. I've started building my own little adventure, and I have ideas for several more.

My only serious complaint is the same complaint you'll see on any public discussion about the game: your progress is only saved at the start of each map. So if you enter a map, conduct a few conversations, solve a puzzle or two, get into combat, and get killed, you have to start all over at the beginning of the map and run the same conversations and puzzles. This can be frustrating, especially if you have to stop play and step away from the computer for any reason. I'm sure this design decision saved them a fair amount of development effort, but it's a significant flaw in an otherwise enjoyable game.

Even with the checkpoint-based save feature, I'm still pleased with the game and I don't regret backing the Kickstarter in the slightest.  I've heard that the developers will be releasing a second campaign in October, which is supposed to be somewhat less linear than the first campaign. Since I'm a Kickstarter backer, I'll be getting it for free. I'm looking forward to playing it, and to releasing my own epic neo-noir cyberpunk adventures.

Shadowrun Returns: Mage For Hire

Mage for Hire. That's what the augmented reality sign hovering over my front door says, at least on the days when it hasn't been hacked or knocked out by some citywide virus. But that's just the way things are in the Sprawl: nothing's permanent. Not your money, not your luck, not your friends, and definitely not your life.

Yeah, that's me up there. A little rough around the edges, but it could be worse. Guy I used to work with, lost one of his eyes in a dust-up with a demon. He couldn't afford a bio replacement or even a decent cyber job. He scraped together enough cash to have the doc install this ancient Russian military optic prosthetic. Big ugly thing, glows red all the time like a stuck streetlight. Even when he's sleeping. Doesn't do much for his love life.

Why did I have to come to Seattle? Looks like every other desolate urban graveyard I've ever tried to earn a nuyen from. Nice to know where the organ dealer's place is, since this is probably where I'll wind up. Or at least parts of me will.

Yup. Another day, another street gang. They've replaced so much of their blood with drugs that they're just walking addictions with guns. Have to respect the guns, though. I may have learned to pull raw energy out of the fabric of the universe and hurl big screaming bolts of it across the street, but a stray bullet will still put a quick end to my day.

Was there ever a time when people actually went to the cops to help them with this kind of problem? Or have people like this guy on the corner always been on their own? Am I going to help him? Sure. But tomorrow, someone else will be along to muscle in on this territory. Nothing ever really changes.

At least there are some people in this town who aren't afraid to stand up for themselves; to say "no" when they know they deserve better. This one certainly deserved better than the guy she just dumped. She deserves better than me, too, so I'll just move along.

I still don't know why I'm in Seattle. Even if I find what I'm looking for, it won't change anything. Nothing every really changes. But maybe I'll feel better about it when I'm done.

Or maybe I'll just be in the clearance bin at the organ dealer's.

[P.S.: I'm really loving Shadowrun Returns.]

Game Design is Hard

I'm trying to build a little casual game in Unity, and it's not going to be just another match-3 or time-management or tower-defense game. As a result, it's proving difficult to find the magic something that transforms this from a programming exercise to a fun, addictive game.

I should probably try to read some books on the subject. In the established, often-used game paradigms, the action/reward cycle is pretty solid. For instance, for a first-person-shooter, there's clearly something inherently compelling about the combination of maze-exploring and bad-guy-shooting that is instantly appealing to a lot of folks.

Since I'm not making an FPS (or any other easily-classified game) it's not obvious what I need to do in order to make the game more entertaining. I can't just say "add more ninjas" (well ... I suppose you can always add more ninjas). I need to try to figure out what to add/remove/change so that clicking the mouse becomes fun, and I feel like I don't even have the language I need to discuss the issue.

So it's research time for me. At least Unity is giving me the chance to focus on the actual game, rather than forcing me to burn time trying to get libraries to link or some such silliness.

Stone of Names: July Status Report

I'm now shopping my manuscript to literary agents, which is the least fun part of the writing process. Basically this phase is several months of sending my work to total strangers so that they can tell me it's unsellable.

To be fair to the literary agents: they have a much clearer view of the market than I do. That's their job. If they don't think they can sell my manuscript to a publisher, that's a business decision, not necessarily a quality decision. To say that a book is enjoyable is not the same thing as saying it's sellable.

The question at this point is: will every agent (and every publisher) agree that they can't sell this book? Or is there someone out there who would be willing to try?

I've sent 20-ish query letters, and I've received 5 rejections. Some folks are likely to let their silence substitute for a rejection, and so I won't be hearing back from everyone. It's not an auspicious beginning, but it's possible that I haven't really tried hard enough yet. It's possible that I really need to send a hundred or so letters before I can really claim to have tried my best.

But I'm not sure I have the patience to send that many queries, given that I could have this book up on Amazon within a couple of days if I wanted to.

I expect I'll keeping querying for a while, but not indefinitely. If I can't interest an agent by the end of the year, I'll get my cover art together and self-publish. There's a very real possibility that I won't sell more than a few dozen copies if I self-publish, but it's better than letting the book sit on my hard drive doing nothing.